Melinda and Melinda
After a shout out on John's blog and an extremely favorable review on Ebert and Roeper's Podcast, I decided it was time to stop passing up this latest Woody Allen pic and just see it already.
I've seen a great deal of Woody Allen's movies, and though his work has never been able to match the brilliance of Annie Hall (best picture 1977, gotta love Christopher Walken as the (surprise) creepy brother), most of his films have been good -- entertaining at least. Sleeper is another one of my favorites, and Crimes and Misdemeanors and Deconstructing Harry are very well written.
Allen's films all carry with them his worldview, something that makes them indisputably HIS. You will never mistake a Woody Allen pic for the work of another director.
I've always felt that I'm watching the work of a brilliant storyteller/filmmaker, even if his subject matter often leaves a bad taste. After each movie I feel a little disappointed that Allen did all that great writing and didn't actually say anything worthwhile. It's a little like reading Palahniuk.
Anyway, the premise of this movie is whether life at it's core is more fully a tragedy or a comedy. Melinda is the constant in both stories told by different storytellers -- one telling a comedic tale and the other a tragic tale. Remember Sliding Doors? Yeah, same premise...
It turns out that life is actually tragic, because neither story ends up being funny...But Will Ferrell is the male lead in the comedic, so that helps us keep the stories straight. It is a very amusing movie, even with the flawed premise -- Allen's writing is as strong as ever. The movie is worth the rental fee just to see Ferrell in a somewhat serious "comedic" role. Plus his Woody Allen impression is spot on.